Planetary Positions and Aspects of La Argentinita
Positions of Planets Sun 13°09' Pisces Moon 18°03' Cancer Mercury 2°02' Pisces Venus 17°00' Pisces Mars 16°19' Aquarius Jupiter 8°06' Я Libra Saturn 12°00' Sagittarius Uranus 3°33' Sagittarius Neptune 19°44' Gemini Pluto 12°44' Gemini Chiron 29°20' Scorpio Ceres 29°16' Gemini Pallas 11°48' Taurus Juno 27°24' Я Libra Vesta 20°24' Scorpio Node 25°55' Capricorn Lilith 15°02' Я Gemini
List of Planetary Aspects Sun Conjunction Venus Orb 3°51' Neptune Conjunction Pluto Orb 7°00' Saturn Conjunction Uranus Orb 8°27' Saturn Opposite Pluto Orb 0°43' Saturn Opposite Neptune Orb 7°44' Uranus Opposite Pluto Orb 9°11' Sun Square Pluto Orb 0°24' Sun Square Saturn Orb 1°08' Mercury Square Uranus Orb 1°30' Venus Square Neptune Orb 2°44' Venus Square Pluto Orb 4°15' Venus Square Saturn Orb 4°59' Sun Square Neptune Orb 6°35' Moon Trine Venus Orb 1°03' Mars Trine Neptune Orb 3°25' Mars Trine Pluto Orb 3°34' Jupiter Trine Pluto Orb 4°37' Sun Trine Moon Orb 4°54' Mars Trine Jupiter Orb 8°12' Jupiter Sextile Saturn Orb 3°54' Mars Sextile Saturn Orb 4°18' Jupiter Sextile Uranus Orb 4°33' Moon Inconjunction Mars Orb 1°44' Moon SesquiQuadrate Uranus Orb 0°29' Moon SesquiQuadrate Mercury Orb 1°01' Mars Quintile Uranus Orb 0°46' Moon BiQuintile Saturn Orb 0°02' Mercury BiQuintile Jupiter Orb 0°04' Venus SemiSextile Mars Orb 0°41' Moon SemiSextile Neptune Orb 1°41'
Biography of La Argentinita (excerpt) Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 New York, September 24, 1945), was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. Life López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name La Argentinita in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. López Júlvez's success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of 27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sánchez Mejías. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940. She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the United Kingdom, the Netherlands, Belgium and the United States, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943 she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honours she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honour her merits in the field of culture.
Biography of La Argentinita (excerpt)
Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 New York, September 24, 1945), was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. Life López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name La Argentinita in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. López Júlvez's success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of 27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sánchez Mejías. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940. She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the United Kingdom, the Netherlands, Belgium and the United States, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943 she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honours she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honour her merits in the field of culture.
Astrological Profile of La Argentinita (Filtered Excerpt)
Disclaimer : these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 77 268 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.
Introduction
Astrological Portrait
Here are some character traits from La Argentinita's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.
In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of La Argentinita.
Note: as this celebrity's birth time is unknown, the chart is arbitrarily calculated for 12:00 PM - the legal time for his/her place of birth; since astrological houses are not taken into account, this astrological profile excerpt is less detailed than those for which the birth time is known.
Astrological Dominants of La Argentinita
This section presents the main astrological dominants in La Argentinita's birth chart. When the time of birth is unknown, four dominant factors are displayed: elements (Fire, Earth, Air, Water), modalities or modes (Cardinal, Fixed, Mutable), dominant planets, and dominant signs.
If the birth time is known, three additional dominants are included: dominant houses, house accentuations (angular, succedent, cadent), and quadrant distribution, which offers insight into psychological orientation and behavioral tendencies.
These astrological dominants form a kind of background tone a first impression of temperament and chart structure. They provide useful context ahead of the more detailed interpretation based on planetary positions by sign, house, aspect, and dignity.
Warning: when the birth time is unknown, which is the case for La Argentinita, a few paragraphs become irrelevant; distributions in hemispheres and quadrants are meaningless, so are dominant houses and houses' accentuations. Therefore, some chapters are removed from this part.
For all paragraphs, the criteria for valuation are calculated without taking into account angles and rulerships of the Ascendant and of the Midheaven. The methodology retains its validity, but it is less precise without a time of birth.
Elements and Modes for La Argentinita
The predominance of Water signs indicates high sensitivity and elevation through feelings, La Argentinita. Your heart and your emotions are your driving forces, and you can't do anything on Earth if you don't feel a strong affective charge (as a matter of fact, the word "feeling" is essential in your psychology). You need to love in order to understand, and to feel in order to take action, to the detriment of a certain vulnerability against which you should learn to fight.
Cheers for communication and mobility, La Argentinita! The predominance of Air signs in your chart favours and amplifies your taste for relations and for all kinds of short trips, whether real (travels) or symbolic (new ideas, mind speculations). You gain in flexibility and adaptability what you lose in self-assertion or in pragmatism.
Earth qualities are under-represented in your chart, with only 0.00% instead of the average 25%. Deficiency in Earth may indicate that you have no interest in material and concrete values. It is likely that you live too much in your heart or in your mind, or even in your enthusiasm! The fact remains that you may end up in tricky situations, due to your lack of good sense or forethought: material life is unavoidable even if you are rather idealistic, dreamy, or easily content. You must tackle concrete life necessities, for fear of... being forced to cope with them, later, in much more unpleasant ways!
The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.
The Mutable mode is the most emphasized one in your natal chart, La Argentinita, which indicates a mobile character that is curious and thirsty for new experiences and evolution. You are lively and flexible, and you like to react quickly to solicitations, but don't confuse mobility with agitation, since this is the danger with this configuration - and with you, stagnation is out of the question. Security doesn't matter as long as you are not bored. You optimize, you change things, you change yourself... all this in a speedy way.
Dominants: Planets and Signs for La Argentinita
In astrology, planets symbolize core drives, signs shape how they express themselves, and houses show where they manifest in life. A dominant planet points to a strong inner dynamic, a dominant sign reflects prevailing temperament, and a dominant house highlights key life priorities.
This triad or duo when the birth time is unknown offers a broad overview of personality before deeper interpretation through aspects and dignities. It serves as a prelude to more detailed chart analysis.
In your natal chart, La Argentinita, the ten main planets are distributed as follows:
The three most important planets in your chart are the Moon, Neptune and Venus.
The Moon is one of the most important planets in your chart and endows you with a receptive, emotive, and imaginative nature. You have an innate ability to instinctively absorb atmospheres and impressions that nurture you, and as a result, you are often dreaming your life away rather than actually living it.
One of the consequences of your spontaneity may turn into popularity, or even fame: the crowd is a living and complex entity, and it always appreciates truth and sincerity rather than calculation and total self-control.
As a Lunar character, you find it difficult to control yourself, you have to deal with your moods, and you must be careful not to stay passive in front of events: nothing is handed on a plate, and although your sensitivity is rich, even richer than most people's, you must make a move and spare some of your energy for... action!
With Neptune as one of your three dominant planets, you are a secretive and ambiguous person, often confused or unclear about your own motivations! Indeed, you are endowed with unlimited imagination and inspiration, as well as with an extreme sensibility that may turn you into a psychic or a clairvoyant. On the other hand, your impressionability is such that you may have difficulties in separating what is concrete and solid from illusions or dreams.
A mystic, a visionary or a poetess, you daydream, like any Neptunian, and you see what few people only can see, all of this being shrouded in aesthetic mists when you are fired with enthusiasm.
A boundless, infinity-loving woman like you is inevitably likely to be more vulnerable and easily hurt because of your acute perception of events. In such cases, you are hit full in the face, and you may sink into gloomy daydreamings and dark melancholy.
That said, this mysterious aura definitely gives you an indefinable charm in the eyes of your close friends who are often fascinated by your unique ability to feel and to see what ordinary people can never see!
With Venus among your dominant planets, one of your first reflexes is... to please! Your look, your charm, and your seduction are omnipresent elements in your behaviour.
Your approach to things is connected to your heart, and for you, no real communication can flow if your interlocutors exude no sympathy or warmth. Cold and logical reasoning, clear thoughts and good sense are not important to you: if there is no affective bond with your environment, no connection can be established with the Venusian that you are, and nothing happens.
You have a strong artistic side, and you never neglect subjective but clear concepts such as pleasure, beauty, and also sensuality. However, sometimes to the detriment of efficiency, durability, logic, and... detachment.
In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Pisces, Cancer and Sagittarius. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.
Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.
Pisces is among your dominant signs and endows your personality with unlimited sources of emotions, dreams, imagination, and sensitivity, to the extent that you literally swim in a cloudy ocean of delightful impressions. These impressions are so intense and overwhelming that you don't really need to take action concretely, to show your dynamism or your willpower, since you already live so intensely with your feelings - you are as keen as a radar, always on the alert! That is why some people may not like your carelessness, and the lack of clarity in your opinions or actions; however they quickly notice your artistic talents, your poetic or artistic side, and your total lack of wickedness. Besides, you feel compassion for people in pain - empathy is one of your great qualities. Thanks to your flexibility, your intuition, and your generosity, you may spend an important part of your life helping others. And if you are creative or if you have well-known artistic talents, everybody will forgive your little flaws: absent-mindedness, lack of energy or of will, too dreamy temperament...
Cancer is one of your dominant signs and endows you with imagination and exceptionally shrewd sensitivity. Although suspicious at first sight - and even at second...- as soon as you get familiar with people and let them win your confidence, your golden heart eventually shows up, despite your discretion and your desire for security that makes you return into your shell at the slightest alert! Actually, you are a poetess and if you are sometimes blamed for your nostalgia and your laziness, it is because your intense inner life is at full throttle...
Sagittarius, an adventurous and conquering fire sign, is dominant in your chart: you are enthusiastic, enterprising, optimistic, very sociable, and mobile - you have itchy feet both physically and mentally. Nobody gets bored with you because you are always planning things and suggesting excursions, at least... when you are around and not already gone on a trip! Obviously, so many movements for one woman may scare people off, and some of them may even criticize your brutality or your tendency to loose your temper, but you are so warm and genuine, so expansive, isn't this a good thing? And all the more so, since your sense of humour is overwhelming...
After this paragraph about dominant planets, of La Argentinita, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.
The Moon in Cancer: her sensitivity
Affectivity and intuition are very developed, La Argentinita, and you are very sensitive to your environment. You feel atmospheres, moods and other people's emotions and when you capture negative influences, a feeling of ill-being immediately overwhelms you, all the more so because your lively imagination may destabilize you as it amplifies your receptiveness. Your nature is anxious and you tend to worry for your entourage. You strive to offer them a reassuring family atmosphere, the much needed comforting and warm sort of cocoon where you can laze around, at will. Because you care so much for your family, they may think that you are intrusive and that you try to rule their life through subtle affective blackmail. Trust them... and also learn to have more confidence in yourself!
The Sun in Pisces: her will and inner motivations
Psychologically speaking, your nature is adaptable and receptive, exactly the opposite of the sign of Virgo whose very essence is to analyze every detail, thus creating a definite duality between the self and the outside world: conversely, Pisces absorbs and erases all forms of differentiation they face. With Pisces, there is no opposition, no conflict and no individual reaction. There is only fusion, non-separation, a perpetual and mobile spreading of the self over some blurred and huge sensation of sympathy with the environment. It is the absolute reign of feelings and emotions over the intellect and its separative logics.
As you are born under this sign, you are emotional, sensitive, dedicated, adaptable, nice, wild, compassionate, romantic, imaginative, flexible, opportunist, intuitive, impossible to categorized, irrational, seductive, placid, secretive, introverted, pleasant, artistic, and charming. But you may also be indecisive, moody, passive, confused, wavering, lazy, scatterbrained, vulnerable, unpredictable and gullible.
Madam, you are the great lover of the Zodiac. You are mysterious and romantic, with an incredible charm, incomparable sentimentality and unbelievable attractiveness. Your vulnerability and your passive child-like side are part of your natural seducing assets. The child-like woman or the femme fatale appears and disappears, in turn, according to your moods and to circumstances.
You are mobile, changeable but always noble. You move from excited encounters to delusions or to moments of despondency. You are driven by one sole constant motive: to listen to your feelings and your intuition, to use any given concrete situation as a basis for an imaginary realm full of fabulous and chimerical possibilities, where you are the adulated and worshipped star.
In your couple, you display the most total devotion. You offer your energy and your destiny to the man you love. You sacrifice yourself, as you sacrifice a whole lot of potentialities or opportunities, without remorse and with enthusiasm, so as to feel the chords of your perfect union vibrate more deeply and to raise your ideal of fusion and unlimited love to higher stages.
You are deeply in love, very intuitive and sensitive. Because of the dual nature of the sign of Pisces, it is likely that in the second part of your life, you will marry once more, unless you choose to have a simultaneous relationship, more or less hidden.
Conclusion
Astrological Portrait
This text is only an excerpt from the portrait of of La Argentinita, which we hope will inspire you to deepen your knowledge of astrology.
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