Planetary Positions and Aspects of Jo Van Fleet
Positions of Planets Sun 7°02' Capricorn Moon 10°38' Libra Mercury 15°01' Capricorn Venus 3°43' Aquarius Mars 29°48' Leo Jupiter 21°54' Pisces Saturn 13°31' Я Cancer Uranus 13°35' Aquarius Neptune 1°56' Я Leo Pluto 2°11' Я Cancer Chiron 18°31' Pisces Ceres 15°26' Я Taurus Pallas 20°09' Pisces Juno 18°40' Scorpio Vesta 15°46' Libra Node 8°29' Я Aquarius Lilith 16°04' Я Cancer
List of Planetary Aspects Sun Conjunction Mercury Orb 7°59' Venus Conjunction Uranus Orb 9°52' Mercury Opposite Saturn Orb 1°30' Venus Opposite Neptune Orb 1°46' Sun Opposite Pluto Orb 4°50' Sun Opposite Saturn Orb 6°28' Moon Square Saturn Orb 2°52' Sun Square Moon Orb 3°36' Moon Square Mercury Orb 4°22' Moon Trine Uranus Orb 2°56' Moon Trine Venus Orb 6°55' Sun Trine Mars Orb 7°14' Mars Sextile Pluto Orb 2°23' Saturn Inconjunction Uranus Orb 0°03' Venus Inconjunction Pluto Orb 1°31' Mars SemiSquare Saturn Orb 1°16' Mercury SesquiQuadrate Mars Orb 0°13' Neptune SemiSextile Pluto Orb 0°15' Mercury SemiSextile Uranus Orb 1°26'
Biography of Jo Van Fleet (excerpt) Catherine Josephine Van Fleet (December 29, 1915 June 10, 1996) was an American stage, film, and television actress. During her long career, which spanned over four decades, she often played characters much older than her actual age. Van Fleet won a Tony Award in 1954 for her performance in the Broadway production The Trip to Bountiful, and the next year she won an Academy Award for Best Supporting Actress for her supporting role in East of Eden. Career In 1944, Van Fleet began her professional stage career and immediately distinguished herself in the role of Miss Phipps in the production of Uncle Harry at the National Theatre in Washington, D.C. Two years later, in New York, she distinguished herself as well on Broadway by her performances as Dorcas in Shakespeare's The Winter's Tale; and yet again, in 1950, as Regan opposite Louis Calhern in King Lear. She won the Tony Award for Best Featured Actress in a Play in 1954 for her portrayal of Jessie Mae Watts in Horton Foote's The Trip to Bountiful, costarring Lillian Gish and Eva Marie Saint. Despite her early successes on the stage, Van Fleet continued to refine her skills in the late 1940s and early 1950s by studying with Elia Kazan and Lee Strasberg at the Actors Studio in New York. Kazan in 1952 directed her in the play Flight to Egypt and the following year in Camino Real. In 1954 he encouraged her to work in films in Hollywood. There Kazan cast her in his screen adaptation of John Steinbeck's East of Eden (1955) for Warner Bros. In that productionher film debutVan Fleet portrays Cathy Ames, the mother of James Dean's character. Her performance, which was widely praised by critics, won her an Academy Award for Best Supporting Actress. Her subsequent film work was steady through 1960 and included films such as The Rose Tattoo (1955), I'll Cry Tomorrow (1955), The King and Four Queens (1956), and Gunfight at the O.K. Corral (1957). Her career, however, did not progress as she had hoped. Her friend and mentor, Kazan, personally experienced her frustrations: "'Jo stagnated, and, since she knew it, was bitter. And as she became bitter, she became more difficult.'" In an interview for the Los Angeles Times after her Oscar-winning performance in East of Eden, Van Fleet openly expressed her concerns "about being typecast in tragic roles". In 1958, Van Fleet was nominated for a Tony Award for Best Actress in a Play for her performance in Look Homeward, Angel, in which she played the acquisitive mother of Anthony Perkins' character. Her later films included Wild River (1960), one of the productions in which she played a character far older than her actual age. Only age 44 at the time of Wild River, Van Fleet spent five hours every morning getting into make-up for her role as Ella, the 89-year-old matriarch of the Garth family. Some of her other notable roles include the Wicked Stepmother in Rodgers and Hammerstein's Cinderella (1965), Paul Newman's mother in Cool Hand Luke (1967), and the mother in I Love You, Alice B. Toklas (1968). Van Fleet's work on television included such series as Naked City, Thriller, Bonanza, The Wild Wild West, and Police Woman. Among her most emotionally charged dramatic performances on television is her portrayal of the bitter, explosive Mrs. Shrike in the 1956 episode "Shopping for Death" on Alfred Hitchcock Presents. Van Fleet's final performance, a brief but "delicious" supporting turn in the 1986 TV adaptation of Saul Bellow's Seize the Day, elicited this comment from Washington Post critic Tom Shales: Jo Van Fleet, who seems even to walk and blink legendarily, has a tiny part and only two small scenes as Mrs. Einhorn, an old woman with two incontinent dachshunds, but what a piquant impression she makes. Personal life and death Van Fleet in 1946 married choreographer William G. Bales, and they remained together until his death in 1990. The couple had one child, Michael. In February 1960, in recognition of her career in the motion-picture industry, as well as her work on stage and in television, Van Fleet was awarded a star on the Hollywood Walk of Fame. It is located at 7010 Hollywood Boulevard. Politically, she was a Democrat, and in the 1952 United States presidential election she supported Adlai Stevenson. Van Fleet, at age 80, died from undisclosed causes in New York City at Jamaica Hospital in Queens. Her body was cremated and her ashes were returned to her family.
Biography of Jo Van Fleet (excerpt)
Catherine Josephine Van Fleet (December 29, 1915 June 10, 1996) was an American stage, film, and television actress. During her long career, which spanned over four decades, she often played characters much older than her actual age. Van Fleet won a Tony Award in 1954 for her performance in the Broadway production The Trip to Bountiful, and the next year she won an Academy Award for Best Supporting Actress for her supporting role in East of Eden. Career In 1944, Van Fleet began her professional stage career and immediately distinguished herself in the role of Miss Phipps in the production of Uncle Harry at the National Theatre in Washington, D.C. Two years later, in New York, she distinguished herself as well on Broadway by her performances as Dorcas in Shakespeare's The Winter's Tale; and yet again, in 1950, as Regan opposite Louis Calhern in King Lear. She won the Tony Award for Best Featured Actress in a Play in 1954 for her portrayal of Jessie Mae Watts in Horton Foote's The Trip to Bountiful, costarring Lillian Gish and Eva Marie Saint. Despite her early successes on the stage, Van Fleet continued to refine her skills in the late 1940s and early 1950s by studying with Elia Kazan and Lee Strasberg at the Actors Studio in New York. Kazan in 1952 directed her in the play Flight to Egypt and the following year in Camino Real. In 1954 he encouraged her to work in films in Hollywood. There Kazan cast her in his screen adaptation of John Steinbeck's East of Eden (1955) for Warner Bros. In that productionher film debutVan Fleet portrays Cathy Ames, the mother of James Dean's character. Her performance, which was widely praised by critics, won her an Academy Award for Best Supporting Actress. Her subsequent film work was steady through 1960 and included films such as The Rose Tattoo (1955), I'll Cry Tomorrow (1955), The King and Four Queens (1956), and Gunfight at the O.K. Corral (1957). Her career, however, did not progress as she had hoped. Her friend and mentor, Kazan, personally experienced her frustrations: "'Jo stagnated, and, since she knew it, was bitter. And as she became bitter, she became more difficult.'" In an interview for the Los Angeles Times after her Oscar-winning performance in East of Eden, Van Fleet openly expressed her concerns "about being typecast in tragic roles". In 1958, Van Fleet was nominated for a Tony Award for Best Actress in a Play for her performance in Look Homeward, Angel, in which she played the acquisitive mother of Anthony Perkins' character. Her later films included Wild River (1960), one of the productions in which she played a character far older than her actual age. Only age 44 at the time of Wild River, Van Fleet spent five hours every morning getting into make-up for her role as Ella, the 89-year-old matriarch of the Garth family. Some of her other notable roles include the Wicked Stepmother in Rodgers and Hammerstein's Cinderella (1965), Paul Newman's mother in Cool Hand Luke (1967), and the mother in I Love You, Alice B. Toklas (1968). Van Fleet's work on television included such series as Naked City, Thriller, Bonanza, The Wild Wild West, and Police Woman. Among her most emotionally charged dramatic performances on television is her portrayal of the bitter, explosive Mrs. Shrike in the 1956 episode "Shopping for Death" on Alfred Hitchcock Presents. Van Fleet's final performance, a brief but "delicious" supporting turn in the 1986 TV adaptation of Saul Bellow's Seize the Day, elicited this comment from Washington Post critic Tom Shales: Jo Van Fleet, who seems even to walk and blink legendarily, has a tiny part and only two small scenes as Mrs. Einhorn, an old woman with two incontinent dachshunds, but what a piquant impression she makes. Personal life and death Van Fleet in 1946 married choreographer William G. Bales, and they remained together until his death in 1990. The couple had one child, Michael. In February 1960, in recognition of her career in the motion-picture industry, as well as her work on stage and in television, Van Fleet was awarded a star on the Hollywood Walk of Fame. It is located at 7010 Hollywood Boulevard. Politically, she was a Democrat, and in the 1952 United States presidential election she supported Adlai Stevenson. Van Fleet, at age 80, died from undisclosed causes in New York City at Jamaica Hospital in Queens. Her body was cremated and her ashes were returned to her family.
Astrological Profile of Jo Van Fleet (Filtered Excerpt)
Disclaimer : these short excerpts of astrological charts are computer processed. They are, by no means, of a personal nature. This principle is valid for the 77 264 celebrities included in our database. These texts provide the meanings of planets, or combination of planets, in signs and in houses, as well as the interpretations of planetary dominants in line with modern Western astrology rules. Moreover, since Astrotheme is not a polemic website, no negative aspect which may damage the good reputation of a celebrity is posted here, unlike in the comprehensive astrological portrait.
Introduction
Astrological Portrait
Here are some character traits from Jo Van Fleet's birth chart. This description is far from being comprehensive but it can shed light on his/her personality, which is still interesting for professional astrologers or astrology lovers.
In a matter of minutes, you can get at your email address your astrological portrait (approximately 32 pages), a much more comprehensive report than this portrait of Jo Van Fleet.
Note: as this celebrity's birth time is unknown, the chart is arbitrarily calculated for 12:00 PM - the legal time for his/her place of birth; since astrological houses are not taken into account, this astrological profile excerpt is less detailed than those for which the birth time is known.
Astrological Dominants of Jo Van Fleet
This section presents the main astrological dominants in Jo Van Fleet's birth chart. When the time of birth is unknown, four dominant factors are displayed: elements (Fire, Earth, Air, Water), modalities or modes (Cardinal, Fixed, Mutable), dominant planets, and dominant signs.
If the birth time is known, three additional dominants are included: dominant houses, house accentuations (angular, succedent, cadent), and quadrant distribution, which offers insight into psychological orientation and behavioral tendencies.
These astrological dominants form a kind of background tone a first impression of temperament and chart structure. They provide useful context ahead of the more detailed interpretation based on planetary positions by sign, house, aspect, and dignity.
Warning: when the birth time is unknown, which is the case for Jo Van Fleet, a few paragraphs become irrelevant; distributions in hemispheres and quadrants are meaningless, so are dominant houses and houses' accentuations. Therefore, some chapters are removed from this part.
For all paragraphs, the criteria for valuation are calculated without taking into account angles and rulerships of the Ascendant and of the Midheaven. The methodology retains its validity, but it is less precise without a time of birth.
Elements and Modes for Jo Van Fleet
Cheers for communication and mobility, Jo Van Fleet! The predominance of Air signs in your chart favours and amplifies your taste for relations and for all kinds of short trips, whether real (travels) or symbolic (new ideas, mind speculations). You gain in flexibility and adaptability what you lose in self-assertion or in pragmatism.
Like the majority of Earth signs, Jo Van Fleet, you are efficient, concrete and not too emotional. What matters to you is what you see: you judge the tree by its fruits. Your ideas keep changing, words disappear, but actions and their consequences are visible and remain. Express your sensitivity, even if it means revealing your vulnerability. Emotions, energy and communication must not be neglected; concrete action is meaningless if it is not justified by your heart, your intellect or your enthusiasm.
The twelve zodiacal signs are split up into three groups or modes, called quadruplicities, a learned word meaning only that these three groups include four signs. The Cardinal, Fixed and Mutable modes are more or less represented in your natal chart, depending on planets' positions and importance, and on angles in the twelve signs.
Jo Van Fleet, the Cardinal mode is dominant here and indicates a predisposition to action, and more exactly, to impulsion and to undertake: you are very keen to implement the plans you have in mind, to get things going and to create them. This is the most important aspect that inspires enthusiasm and adrenalin in you, without which you can grow weary rapidly. You are individualistic (maybe too much?) and assertive. You let others strengthen and improve the constructions which you built with fervour.
Dominants: Planets and Signs for Jo Van Fleet
In astrology, planets symbolize core drives, signs shape how they express themselves, and houses show where they manifest in life. A dominant planet points to a strong inner dynamic, a dominant sign reflects prevailing temperament, and a dominant house highlights key life priorities.
This triad or duo when the birth time is unknown offers a broad overview of personality before deeper interpretation through aspects and dignities. It serves as a prelude to more detailed chart analysis.
In your natal chart, Jo Van Fleet, the ten main planets are distributed as follows:
The three most important planets in your chart are Uranus, the Sun and Venus.
Uranus among your dominant planets: just like Neptune and Pluto, Uranian typology is less clearly defined than the so-called classical seven planets that are visible to the naked eye, from the Sun to Saturn. However, it is possible to associate your Uranian nature with a few clear characteristics: Uranus rhymes with independence, freedom, originality, or even rebelliousness and marginality, when things go wrong...
Uranus is Mercury's higher octave and as such, he borrows some of its traits of character; namely, a tendency to intellectualize situations and emotions with affective detachment, or at least jagged affectivity.
Therefore, you are certainly a passionate woman who is on the lookout for any kind of action or revolutionary idea, and you are keen on new things. Uranians are never predictable, and it is especially when they are believed to be stable and well settled that... they change everything - their life, partner, and job! In fact, you are allergic to any kind of routine, although avoiding it must give way to many risks.
One of the dominant planets in your birth chart is the Sun. He symbolizes will, magnetism, sense of honour and dignity. You are a Solar being, and you often display charismatic and leadership qualities. Your warmth and your persuasive power lead you far away from pettiness. You enjoy thinking big and, consequently, you move forward according to what you decide.
Your Solarian weakness may be related to the sin of pride or to excessive authority. The frontier between pride and vanity is tenuous: be careful not to overstep it and to keep the nobleness of heart that is part of your charm.
With Venus among your dominant planets, one of your first reflexes is... to please! Your look, your charm, and your seduction are omnipresent elements in your behaviour.
Your approach to things is connected to your heart, and for you, no real communication can flow if your interlocutors exude no sympathy or warmth. Cold and logical reasoning, clear thoughts and good sense are not important to you: if there is no affective bond with your environment, no connection can be established with the Venusian that you are, and nothing happens.
You have a strong artistic side, and you never neglect subjective but clear concepts such as pleasure, beauty, and also sensuality. However, sometimes to the detriment of efficiency, durability, logic, and... detachment.
In your natal chart, the three most important signs - according to criteria mentioned above - are in decreasing order of strength Capricorn, Aquarius and Libra. In general, these signs are important because your Ascendant or your Sun is located there. But this is not always the case: there may be a cluster of planets, or a planet may be near an angle other than the Midheaven or Ascendant. It may also be because two or three planets are considered to be very active because they form numerous aspects from these signs.
Thus, you display some of the three signs' characteristics, a bit like a superposition of features on the rest of your chart, and it is all the more so if the sign is emphasized.
Capricorn is one of your dominant signs and endows you with a grave and serious style that seems to stick to you constantly. But if you have that reserved and cold side - as some extrovert people may think - on the other hand you possess sturdy qualities: you are strong-willed and tough. Your long-term vision, your sense of duty, and your ambition are not affected by the derisory and erratic motions that seem to upset most mortals less steady than you. Besides, you are like a good wine, you age well and your natural solemnity or serious side paradoxically turns into an almost cheerful appearance, as you grow older. You are actually very sensitive when it comes to love. Faithful, caring, sweet, and sensitive, your behaviour is very different in your everyday, sentimental life. A golden heart beats under your tough and austere appearance...
Aquarius is one of the most important signs in your natal chart: it endows your personality - at least one of its facets - with originality, to the point of eccentricity in spite of a sometimes distant and humane side. Likeable and impassive at the same time, you are a paradoxical woman, very hard to define because the two planets Uranus and Saturn blend their qualities to create the so complicated and endearing sign that inspires your character. Saturn's seriousness and impassivity is added to Uranus' rebellion, talent, individualism, charisma, extravagance, and unpredictability! One of your main characteristics is that you never open up on a personal basis, but you tend to do so easily in public. You are actually quite strange. Sexy and charming in public, despite your nice and sociable character, you could frustrate many of your admirers in private because of your impossibility to show deep and warm affection, emotions, tears... But appearance and reality are two different things anyway - you are a kind of a genius, or you have at least a tremendous charm with this sign. You have many friends and an active social life. If you are detached in your love life - only in this aspect, since the rest of chart will confirm it or not - this is no big deal!
With Libra as a dominant sign in your birth chart, you love to please, to charm, and to be likeable. Moreover, you are naturally inclined towards tolerance and moderation, as well as elegance and tact, as if you were meant to please! Of course, you always find malcontents who criticize your lack of authenticity or of courage and your half-heartedness, but your aim is to be liked, and in this field, you are an unrivalled champion!
After this paragraph about dominant planets, of Jo Van Fleet, here are the character traits that you must read more carefully than the previous texts since they are very specific: the texts about dominant planets only give background information about the personality and remain quite general: they emphasize or, on the contrary, mitigate different particularities or facets of a personality. A human being is a complex whole and only bodies of texts can attempt to successfully figure out all the finer points.
The Moon in Libra: her sensitivity
You are sensitive to beauty, Jo Van Fleet, and your emotional reactions are often of an aesthetical order because, even in the appearances, balance and harmony are necessary for your well being. You easily identify with others, you have a talent for emphasizing their best qualities and you solve their problems with tact and diplomacy. You endlessly weigh the pros and the cons and you constantly try to please your interlocutors. In doing so, you may develop a strong dependency because you need their approval too much. It is difficult for you and your entourage to deal with your indecisiveness because it inclines you towards contemplation more than towards creation and you are tempted to procrastinate unless you try to charm others into doing things for you. But as long as harmony prevails... isn't it what matters?
The Sun in Capricorn: her will and inner motivations
Psychologically speaking, your nature is introverted and cold, totally controlled and phlegmatic, at least regarding the image you project invariably. You seem unemotional and austere. Actually, due to your secondarity, you chew over your strategies or your reactions required by your environment. You are slow but very thoughtful, solid and balanced. You are as curt as you are cold and you put the entire strength of your character at the service of your huge and long-term ambition or of your detachment from earthly riches and you focus on spiritual values.
Like all the persons born under an apparently reserved and tough sign, your inner personality is often charming and gentle, as if the thick armour, forged throughout childhood, had entirely preserved the purity and the warmth of the soul imprisoned within.
As you are born under this sign, you are serious, cold, disciplined, patient, focused, thoughtful, ambitious, indomitable, cautious, lucid, persistent, provident, steady, introverted, stern, wilful, hard-working, responsible, persevering, honest, realistic, loyal, reserved, resolute, moralistic, quiet, rigorous, attached and reliable. But you may also be curt, withdrawn, calculating, petty, cruel, unpleasant, ruthless, selfish, dull, rigid, slow or sceptical.
You are courageous and rational, Madam, but you need affection and tenderness in spite of what you say. You try constantly to be reasonable and to repress the sentimental weaknesses that come up once in a while. In general, there are few amorous encounters at the beginning of your life.
But quite rapidly, you become aware that solitude is not good for your balance. You remain on the defensive, you are hurting in your shell, that convenient ivory tower where you protect yourself in all areas, except this particular one
With an aching heart, you will finally forsake your defences and you eventually experience a few rare exceptional encounters. Among them, you will meet with your soul mate, to whom you will dedicate all your time and your love with loyalty, faithfulness, a strong sense of duty and maximal efficiency.
You will control your childrens education, inculcating in them the values of effort, patience, perseverance and social rules. You will teach them that the old saying applies to them too, that slow and steady wins the race. To be early is not to be on time
but their time will come!
Conclusion
Astrological Portrait
This text is only an excerpt from the portrait of of Jo Van Fleet, which we hope will inspire you to deepen your knowledge of astrology.
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